THE ROBERT CRAY BAND
WITH SPECIAL GUESTS
THE BLIND BOYS OF ALABAMA
BOLD POINT PARK
EAST PROVIDENCE, RI
FRIDAY, JUNE 7, 2019
TICKETS ON SALE NOW
Providence, RI :: Live Nation is pleased to present THE ROBERT CRAY BAND with special guests Marc Cohn, The Blind Boys of Alabama and Shemekia Copeland live at Bold Point Park in East Providence, RI on Friday, June 7, 2019.
ABOUT THE ROBERT CRAY BAND
Robert Cray has been bridging the lines between Blues, Soul and R&B for the past four decades, with five Grammy wins and over 20 acclaimed albums. For his latest project, Robert Cray & Hi Rhythm (April 28 / Jay-Vee Records), the Blues Hall of Famer traveled to Memphis with his friend, renowned Grammy award winning producer Steve Jordan, to make a classic soul album with Hi Rhythm, the band that helped create that sound. Jordan and Cray met in 1987 while working on the concert film Hail! Hail! Rock and Roll, A Tribute to Chuck Berry.
Growing up in the Northwest, Robert Cray listened to the gospel of the five Blind Boys of Mississippi, Bobby Bland’s soul, Jimi Hendrix’s rock guitar and The Beatles pop sounds. He would bring all of the influences into play throughout his career, but his teenage band was captivated by southern soul and the blues.
“In the early days of the band we were getting back into O.V. Wright and paying attention to my favorite blues players; Buddy Guy, Otis Rush, Albert King and especially Albert Collins,” Cray says.
The Texas-born blues guitarist known as Master of the Telecaster, Albert Collins, sealed the deal on the Cray Band’s early direction. The musical highlight of cray’s senior year was his class voting to bring Collins in to play a graduation party. The glow of a career in music began when Cray was a teen, and in 1974 it burst into flames as the Robert Cray band came together in Eugene, Oregon.
Also among the Cray Band admirers were other musicians. John Lee Hooker put his appreciation into action. “The first time we played with Hooker was in Montana. We were opening the set and he was playing solo,” Cray recalls. “We’d never met him before but he just walked on stage and started playing with us. We dug the hell out of the guy, and after that we were friends.” The Cray Band’s next two releases – Bad Influence and False Accusations – charted, taking the four-piece’s sound across the airways and abroad.
The group was on a roll, but the players slept on couches. “We were just road rats,” Cray says with a chuckle. “We’d take a break for two weeks to record, then go back out. We didn’t have a house, a home, any of those responsibilities.” On one of those breaks Cray went into the studio with Collins and another great Texas guitarist and singer, Johnny Clyde Copeland, to record Showdown!, a CD that has become essential to any 80s Electric Blues collection.
It was the sounds of the Blues and Soul that first drew attention from artists in the rock arena. In an interview Eric Clapton gives his initial response to Robert Cray saying, “As a blues fan, we’re saved.”
The Cray band’s beginnings did bring the sounds of its mentors into the mainstream, even taking the music of John Lee Hooker, Etta James and Albert Collins to a larger, younger audience. But no one knew how broad the band’s audience would be until the Cray Band opened the ears of rock radio programmers. With the 1986 release of Strong Persuader the Cray Band’s tunes were put in heavy rotation on mega rock stations across the nation.
Both on Take Your Shoes Off and 4 Nights of 40 Years Live, “Love Gone to Waste” showcases Robert Cray’s natural ease with soul ballads. He is intense but smooth in telling the story of love gone bad. Then in a falsetto voice he soars through the sadness into the inevitable pain. It is a song that cray owns because no other singer has dared try to do it justice. Take your shoes off won a grammy in 2000. In the next decade the Cray Band recorded seven cds, three of them live, and two – twenty and this time – were nominated for Grammys. The group’s most recent recordings, Nothing But Love and In My Soul put the band back on the Billboard charts.
ABOUT MARC COHN
After winning a Grammy for his soulful ballad “Walking in Memphis,” Marc Cohn solidified his place as one of this generation’s most compelling singer-songwriters, combining the precision of a brilliant tunesmith with the passion of a great soul man. Rooted in the rich ground of American rhythm and blues, soul and gospel and possessed of a deft storyteller’s pen, he weaves vivid, detailed, often drawn-from-life tales that evoke some of our most universal human feelings: love, hope, faith, joy, heartbreak.
Cohn followed up his platinum-selling debut with two more releases in the 1990s, at which point Time magazine called him “one of the honest, emotional voices we need in this decade” and Bonnie Raitt declared, “Marc is one of the most soulful, talented artists I know. I love his songs, he’s an incredible singer, and I marvel at his ability to mesmerize every audience he plays for.”
Raitt, James Taylor, David Crosby, Graham Nash and Patty Griffin all made guest appearances on Cohn’s early records for Atlantic as his reputation as an artist and performer continued to grow. In 1998, Cohn took a decade-long sabbatical from recording, ending in 2007 with Join the Parade. Inspired by the horrific events following Hurricane Katrina and his own near fatal shooting just weeks before, Parade is his most moving and critically acclaimed record to date.
About his album Listening Booth: 1970, a collection of reimagined classics from that seminal year in music, Rolling Stone said, “Cohn has one of rock’s most soulful croons – a rich, immediately recognizable tenor that makes these songs his own.” In late 2014, Cohn released “The Coldest Corner in the World,” the title song to the documentary Tree Man and his first original song released in more than seven years.
On March 25, 2016, in celebration of the 25th anniversary of his platinum-selling debut album, released Careful What You Dream: Lost Songs and Rarities along with the bonus album Evolution of a Record, featuring never-before-heard songs and demos dating back to years before his debut album and the Grammy award that followed.
Marc’s momentum continued into a busy and fruitful 2017, which he spent in part on the road with the legendary Michael McDonald, garnering critical acclaim across the U.S. His writing talent was also drafted for work with a roster of American music greats including soul survivor William Bell, who won his first Grammy at age 78 with Marc’s help; Marc co-wrote a solid half of Bell’s celebrated album This is Where I Live, including the passionate opening cut “The Three Of Me.” The album revived the sound of Stax soul’s golden age, when Bell had first cut his teeth as an artist, and which had influenced Marc Cohn so powerfully – in its way, completing a circle and letting Marc give back to one of the originators of the sound that shaped him.
Marc revisited another corner of American music’s rich heritage with the Blind Boys of Alabama on the Grammy-nominated song “Let My Mother Live,” and also worked with David Crosby on the album Lighthouse. As powerfully influenced by the singer-songwriter tradition as he is by the legacy of soul and gospel, working with the ‘60s icon was a project that got right to Marc’s creative core.
Moving forward, he continues to do what he does best: infuse American music with both a fresh perspective and a reverence for its deep roots.
ABOUT SHEMEKIA COPELAND
Shemekia Copeland never holds back. Her instantly recognizable voice—capable of being sultry, assertive and roaring—delivers every song with unparalleled honesty and passion. Her wide-open vision of contemporary Americana roots and soul music showcases the evolution of a passionate artist with an up-to-the-minute musical and lyrical approach. With her new Alligator Records album, America’s Child, Copeland confidently announces an electrifying new chapter in her constantly evolving story. Produced by Americana Instrumentalist Of The Year winner Will Kimbrough (who also plays guitar on the album) and recorded in Nashville, America’s Child is a courageous and fiery statement of purpose, a major step forward for the singer whose musical consciousness continues to expand as her star continues to rise.
America’s Child is by far Copeland’s most compelling work yet, with music swelling beyond blues and into spirited Americana, with elements of rock, soul, and country. From America’s Child’santhemic opening track, Ain’t Got Time For Hate, to the closing lullaby, the traditional Go To Sleepy Little Baby, Shemekia sings with passion and insight about the chaos and uncertainty in the world while still finding joy all around her.
With guests including John Prine, Rhiannon Giddens, Mary Gauthier, Emmylou Harris, Steve Cropper, J.D. Wilkes, Al Perkins and members of the Time Jumpers, America’s Child bursts with Copeland’s bravado and embraces with her tenderness. Gauthier and songwriter/executive producer John Hahn wrote two striking songs for the project. Smoked Ham And Peaches is a search for truth and tranquility in America, featuring Giddens on African banjo. Americans celebrates our collective diversity in all its forms and colors. American music legend Prine joins Shemekia for a stirring duet on his own Great Rain. Guitar great Cropper adds his scorching playing to the ballad Promised Myself, written by Shemekia’s father, the late bluesman Johnny Clyde Copeland. And her version of I’m Not Like Everybody Elsetransforms the Kinks song into a blues-fueled declaration of independence.
Shemekia Copeland has performed thousands of gigs at clubs, festivals and concert halls all over the world and has appeared on national television, NPR, and in newspapers, films and magazines. She’s sung with Eric Clapton, Bonnie Raitt, Keith Richards, Carlos Santana, James Cotton and many others. She opened for The Rolling Stones and entertained U.S. troops in Iraq and Kuwait. Jeff Beck calls her “amazing.” Santana says, “She’s incandescent…a diamond.” In 2012, she performed with B.B. King, Mick Jagger, Buddy Guy, Trombone Shorty, Gary Clark, Jr. and others at the White House for President and Mrs. Obama.
Now, with America’s Child, Shemekia Copeland is standing on the cusp of her greatest success. Her intensely empowering, American music is as insightful as it is fun. NPR Music says, “She brings a perfect balance of authority and understatement to each song.” No Depression adds, “When Shemekia Copeland opens her mouth, everybody pays attention. She pierces your soul. This is how you do it, and nobody does it better than Shemekia Copeland.”
Ticket Prices Ranging From
$25.00 to $89.50
– PLUS ANY APPLICABLE FEES DEPENDING ON PURCHASE OUTLET –